POSTER PROPOSALS I
Wednesday, November 30th, 2005
PHOTOGRAPHIC SHOW AT THE LIBERTY ARTS BUILDINGDubin – ‘Findings’ is the title of a photographic show opening soon at the new Liberty Arts Building (L.A.B.) on Foley St. The show takes an experimental approach to exploring the concept of everyday life as a performance. Audience participation is an important aspect of the show, which will include a self-portrait studio and a ‘mirror with a memory’.
The show will also feature a rare opportunity to step inside a camera obscura. These interactive elements will complement the exhibition of studio portraits from the turn of the last century, as well as video and photographic documentation of the re-development of the area historically known as ‘The Monto’.
‘Findings’ is curated by a group of third year students on the B.A. (Hons.) Photography course in D.I.T. A permanent record of the event will be kept at http://findings.bohoe.com
‘Findings’ is the second ever show at the recently-opened Liberty Arts Building, and follows the very successful inaugural exhibition featuring Sean Hillen’s celebrated photomontages.
The LAB is located at the corner of Foley St. and Corporation St., just off Talbot St. ‘Findings’ will open with a wine reception on Thursday, 8th December, from 6-8pm. For further information, kindly contact Denis Dunne at 086-0857146.
(The domain ‘the-findings.com’, and ‘thelab-findings.com’ are available, just in case we need it for a mini site)
Gardiner Architects page on the Liberty Corner Project, with costs, models and plans:
http://www.gardinerarchitects.com/proj_liberty_corn.htm
I sent an email to the architects office requesting any images they may have about the area, wether we will use it or not for the exhibition.
McCabe Builders were the builders:
http://www.mccabebuilders.com/current.asp
I also emailed them.
About the area:
http://archives.tcm.ie/businesspost/2003/11/09/story635722302.asp
Aereal picture from the Ordenance Survey of Foley street (not really updated, great!, so we can see the park that was there before).
http://bohoe.com/images/foleyST.jpg
Search for the original here:
http://www.dublincity.ie/mapzone/map_default_load.asp
DUBLIN CITY ENTERPRISE BOARD
http://www.dceb.ie/news/default.asp?ID=6&itemId=8&topicId=&va=0
Traffic camera on Gardiner Street / Summerhill
http://www.dublincity.ie/living_in_the_city/getting_around/traffic_cameras/
ANGEL
Are other communities made up of savages, role models or merely people like us?
(http://www.ville-ge.ch/musinfo/ethg/expo02.php)
The immense variety of the world’s languages, religions and cultures is brought home to us every day, in the streets and in the media. For some people, such diversity is a problem; for others, it is a boon and an advantage.
Drawing on quotations from Claude Lévi-Strauss’s well-known book, Race and History, the exhibition “Nous autres” looks at cultural diversity and racism, key issues in our modern societies. It starts by observing that we are all, deep down, ethnocentric, meaning that we tend to believe that we alone in the world are rational and civilized, that the conduct of foreigners is beyond understanding and disgraceful. It would appear that it is often ignorance, isolation and fear which lead us to think of other community as savages and to believe in myths of all kinds about them. And yet, ethnocentricity and discrimination are not inevitable. Our view of the rest of humanity changes over time; it depends on how well we know and how much contact we have with other peoples and parts of the world.
Ethnology and anthropology have been instrumental in shaping that view and in promoting understanding between peoples by showing that each society or culture has its own values and that, given its special characteristics, a single criterion cannot be applied to judge all of them. At the same time, the “Nous Autres” exhibition is intended to cast a critical eye over this discipline, which sees in other communities a subject for study, sometimes forgetting that it is dealing with human beings who are also entitled to a say on the questions concerning them. We can no longer consider the other community as being primitive or merely a curiosity for observation but must instead treat it as a genuine partner. It is not a question of making it a model or of making it the same as ourselves but rather of acknowledging that it is different and asking it to do the same with regard to ourselves.
Through the way in which the stage has been set, the “Nous Autres” exhibition invites everyone to face up to the complexity of human relations. Passing from one hall to another, the exhibition addresses not only the different representations that we Westerners have of other communities but also the view that they have of us. At the entrance to the museum, the arrangement of mirrors installed in the hall projects the visitor’s reflection to infinity, surrounded by human statuettes and figurines from all over the world, suggesting perhaps that these other communities could be us. From the myth of the Tower of Babel and the confounding of language to recent work in ethnology and anthropology, the exhibition has been organised in the form of a series of questions and historical milestones that highlight our prejudices and stereotypes with regard to others. From topic to topic, from scene to scene, the other community is revealed in different forms – a monster of the Middle Ages, an Amerindian at the time of the Conquistadors, an anthropomorphic monkey, a native of the colonies, a Kwakiutl chief from North America or an inhabitant of Val de Bagnes. The exhibition leads us to the conclusion that, nowadays, the other community no longer lives in a faraway land but is also here among us, represented by colleagues at work, our doctor or the owner of the corner-shop.
Mediation is often a good way of enabling people from here and people from there to speak to each other without misunderstandings. In conclusion, therefore, the floor is now given to the practitioners and the interpreters, to the migrants and the ethnologists who are trying to ensure that we all manage to live together more harmoniously.
Now that UNESCO is celebrating its 60th anniversary and that cultural diversity has been raised to the level of "world heritage of mankind", the exhibition “Nous autres” is the occasion to present the wealth of this diversity by drawing extensively on the collections of the Geneva Ethnography Museum.
Thanks to cooperation with sister institutions of the City of Geneva and other museums in Switzerland and abroad, it has also been able to display a number of old and precious objects and documents rarely if ever exhibited before, while, at the same time, a place of honour has been reserved for the creations of contemporary artists.
The exhibition is presented under the patronage of the Swiss Commission for UNESCO.
” The sense of gratitude and respect which each single member of a given culture can and should feel towards all others can only be based on the conviction that the other cultures differ from his own in countless ways, even if the ultimate essence of these differences eludes him or if, in spite of his best efforts, he can reach no more than an imperfect understanding of them.” Claude Lévi-Strauss, Race and History, 1952
The Reflecting City: The Reconstruction of Dublin is a mixed media exhibition, CD-ROM & website focusing on urban transformation in Dublin over the past decade. The concept driving the project is that good urban planning, design and architecture transform cities and impact on people’s lives in a truly positive way. The Reflecting City Exhibition was on tour throughout 2005:
01-18 March
Architecture Centre, 8 Merrion Square, Dublin 2.
29 March - 02 April
Centre Culturel Irlandais, rue des Irlandais, Paris.
18-30 April
Civic Offices, Wood Quay, Dublin 8.
13-17 June
European Landscape Convention, City Hall, Cork.
03-10 July
UIA Congress of Architecture 2005, Istanbul.

Now through January 2nd
Museum of Modern Art
11 West 53rd Street
New York, NY
A truly stimulating major design exhibition, SAFE: Design Takes On Risk presents more than 300 contemporary products and prototypes designed to protect body and mind from dangerous or stressful circumstances, respond to emergencies, ensure clarity of information and provide a sense of comfort and security. These objects address the spectrum of human fears and worries, from the most mundane to the most exceptional, including the dread of darkness and loneliness to the threat of earthquakes and terrorist attacks. The exhibition covers all forms of design, from manufactured products to information architecture. Featured products include refugee shelters, demining equipment, baby strollers and protective gear for protesters. Designers are trained to balance risk with protection and to mediate between disruptive change and normalcy; good design goes hand in hand with personal needs, providing protection and security without sacrificing innovation and invention. SAFE redirects the pursuit of beauty toward the appreciation of economy of function and technology.
http://moma.org
Paris Photo 2005
The world’s leading photography fair
November 17 - 20, 2005,
at the Carrousel du Louvre
Preview (invite only) :
Wednesday, November 16, 2005
www.parisphoto.fr
Paris Photo 2005: 9th edition of the leading international photography fair
From November 17 -20, 2005, Paris Photo, the world’s leading venue for 19th century, modern and contemporary photography, is inviting 106 galleries and publishers from 14 countries to exhibit in the historical premises of the Carrousel du Louvre. 40 000 visitors will be offered an exceptional panorama from rare early prints and vintage masterpieces to the latest practices, including documentary photography, film photography and photojournalism.
Facts about Paris Photo 2005:
90 galleries and 16 publishers with 72% of the participants based outside France.
In addition to the 22 French galleries, the largest contingent of exhibiting galleries is USA based (20), followed by Spain (14), Germany (11), Holland (6), UK (4), Switzerland (3), Austria (2), Italy (2), Japan (2) and one representative each from Belgium, Finland, Hungary and Luxemburg.
Spain, guest of honor:
A special programme curated by Rosa Olivares, Editor of EXIT magazines, offering
A selection of 14 Spanish galleries
A Central Exhibition highlighting the photographic collection of The Comunidad de Madrid
A Project Room screening contemporary videos from 4 main Spanish institutions
The 2nd annual BMW-Paris Photo prize for photography
An exhibition of 29 shortlisted contemporary artists on the theme of "Spirit on the move".
A prestigious jury of experts will award the 12, 000 euros (US$ 15, 000) prize on Friday 18th November 2005.
For more information about Paris Photo 2005, please see www.parisphoto.fr
List of selected galleries :
Luis Adelantado (Valencia), Andrea Meislin Gallery (New-York), Agathe Gaillard (Paris), Juana de Aizpuru (Madrid), Argus Fotokunst (Berlin), Art 75 Galerie Yves Di Maria (Paris), Art : Concept (Paris), Ausstellungsraum25 (Zürich), Baudoin Lebon (Paris), Deborah Bell Photographs (New York), Bonni Benrubi (New York), Bernhard Bischoff (Bern), Daniel Blau (München), Brancolini Grimaldi Arte Contemporanea (Firenze), Bruce Silverstein Photography (New York), Bugdahn und Kaimer (Düsseldorf), Camera Obscura (Paris), Camera Work (Berlin), Michèle Chomette (Paris), Clairefontaine (Luxembourg), Cokkie Snoei (Rotterdam), Charles Cowles (New York), Volker Diehl (Berlin), Bernard Dudoignon (Paris), Catherine Edelman (Chicago), Estiarte (Madrid), Johannes Faber (Wien), Ulrich Fiedler (Köln), Fifty One Fine Art Photography (Antwerpen), Les Filles du Calvaire (Paris), Flatland (Utrecht), Galerie 1900-2000 (Paris), Galerie f 5,6 (München), Gitterman Gallery (New York), Howard Greenberg (New York), Hamiltons (London), Laurent Herschtritt (Paris), Michael Hoppen (London), Edwynn Houk (New York), Jackson Fine Art (Atlanta), Galerie du Jour Agnès B. (Paris), Robert Klein (Boston), Kowasa (Barcelona), Van Kranendonk (Den Haag), Hans P.Kraus, Jr. (New York), Martin Kudlek (Köln), Luisotti (Santa Monica), Magnum Photos (Paris), Thierry Marlat (Paris), Marvelli Gallery (New York), Max Estrella (Madrid), Mem (Osaka), Yossi Milo (New York), Obsis (Paris), Priska Pasquer (Köln), Françoise Paviot (Paris), Ton Peek Photography (Utrecht), Moises Perez de Albeniz (Pamplona), The Photographers’Gallery (London), Photo & Contemporary (Torino), Picture Photo Space (Osaka), Serge Plantureux (Paris), Polaris (Paris), Le Reverbère (Lyon), Yancey Richardson (New York), Rose Gallery (Santa Monica), Julie Saul (New York), Scalo Gallery (Zürich), Scout Gallery (London), Staley-Wise (New York), Taik gallery (Helsinki), Toluca (Paris), Torch Gallery (Amsterdam), Trabant (Kitzbuhel), Van der Grinten (Köln), Aline Vidal (Paris), Vintage (Budapest), Vintage Works (Chalfont/USA), Vu’ la Galerie (Paris), Esther Woerdehoff (Paris), Thomas Zander (Köln), Van Zoetendaal (Amsterdam)
PUBLISHERS / Antiquariaat L.van Paddenburgh (Leiden), Atelier Franck Bordas (Paris), Simon Finch Rare Books (London), Filigranes Editions (Trézélan), Images en Manoeuvres (Marseille), Librairie La Chambre Claire (Paris), Harper’s Books (East Hampton/USA) Librairie 213 (Paris), J.J Heckenhauer (Berlin), Lodima Press (Revere/USA), Tissato Nakahara (Paris), Denis Ozanne (Paris), Phaidon (Paris/London), Schaden.com (Köln), Steidl (London), Trolley (London)
STATEMENT SPAIN / Oliva Arauna (Madrid), Bacelos (Vigo), Dels Angels (Barcelona), Distrito 4 (Madrid), Fucares (Madrid), Palma 12 (Vilafranca Penedes), Senda (Barcelona), T20 (Murcia)
Paris Photo Details
Where:
Carrousel du Louvre, 99 rue de Rivoli, Paris 1er
When:
Open to the public: Thursday, November 17 - Sunday, November 20, 2005
Preview for media/art professionals: Wednesday, November 16, 7 p.m. to 10 p.m.
Hours:
Thursday, November 17: 11 am - 8 pm
Friday, November 18: 11 am - 9 pm
Saturday, November 19: 11 am - 8 pm
Sunday, November 20: 11 am - 7 pm
Fees:
General admission: 15 Euros
Groups/students: 7.5 Euros
Catalogue: 15 Euros
Public information:
Tel: 33 (1) 41 90 47 70
www.parisphoto.fr
Organization :
Reed Expositions France, 11 rue du Colonel Pierre Avia, BP-571 - 75726 Paris Cedex 15
Tel: 33 (0) 1 41 90 47 77 - Fax: 33 (0) 1 41 90 48 77
Email: parisphoto@reedexpo.fr
Press Liaison : Guillaume Piens
Tel: 33 (0) 1 41 90 48 91 - Fax : 33 (0) 1 41 90 48 59
Email: guillaume.piens@reedexpo.fr


